Bonus Rec: Target Clog Clearing Gel

You are getting a second recommendation this week and it is . . . a cleaning product! Sexy. But seriously, if any of you have long curly hair like mine, you know that keeping the shower draining is a CONSTANT ONGOING STRUGGLE. I've tried the various products from the two big brands, mostly based on what was on sale or had a coupon, and never been happy with any of them. This week I grabbed the generic Target Clog Clearing Gel and . . . it worked?!?! I honestly did not expect that! So. Hot tip: buy the cheap Target version.

This sounds like an ad but it is not. I'm just REALLY EXCITED about it. But hey, if Target wanted to send me some for free I wouldn't object.

Weekly Rec: Expectations by Hayley Kiyoko

I was vaguely aware of Hayley Kiyoko as a Music Person but hadn't really paid any attention to her until I went to a Taylor Swift concert last month - which was GREAT, by the way - and Kiyoko was the surprise guest. She performed her song "Curious" with Swift and it was awesome and I made a vague mental note to look up her album, which I finally got around to doing . . . last weekend. So that took a while, but hey, the concert ploy worked.

And now that I've started listening to it, I can't stop. It's addictive summery pop with just a bit of an edge of something more in its narrative ambitious, and I love the juxtaposition of so much yearning and complicated feelings against a bright backdrop of sunshine and palm trees. "Curious" is probably still my favorite track - it's practically impossible not to sing along - but there's not a song a dislike, and the rest of the album has been growing on me steadily. Kiyoko is both a former Disney star and one of the few young out lesbian pop stars, and she's clearly still finding her footing a bit, but I'm eager to see where she goes from here.

Expectations is on Spotify and Amazon and presumably wherever else you're listening to music these days. Here's "Curious:"

Weekly Rec: Two Great New Romcoms

Allow me to join the chorus of people telling you this: If you haven't yet seen Crazy Rich Asians and/or To All the Boys I've Loved Before, you should absolutely do that this weekend, because they are PURE DELIGHT.

Crazy Rich Asians, now in theaters, is the first Asian-led big box office movie since The Joy Luck Club, so I was eager to support it regardless, but it was GREAT. I loved Kevin Kwan's books on which it's based, and this adaptation made some changes but stayed very faithful to the spirit of the books. And it was just a joy in its own right. It's about a Chinese-American woman who goes home to Singapore with her boyfriend and discovers that his family is one of the richest in the world, and all the drama that comes from that. The cast, led by Constance Wu, Henry Golding, and Michelle Yeoh, is great, and the movie is just visually stunning as well as enchanting and hilarious. It's the first movie since Call Me By Your Name that made me think "I want to be watching this forever" while I was watching.

If you want to stay home, watch To All the Boys I've Loved Before on Netflix. It's a romcom based on the YA book of the same name by Jenny Han, and honestly? I liked but didn't love the book, but I loved the movie. It's about a teenager named Lara Jean who tucks away letters she writes to her crushes . . . and then they all get sent out. She winds up fake dating one in order to make another think she doesn't actually like him and, well, you can guess where that's headed, but how it gets there is AWESOME. This has a really interesting Asian-American heroine, close but complex family relationships, one of the best move love interests in a long time, and a great aesthetic - the fashion, the set design, the soundtrack. (I've listened to the soundtrack every day since I watched it.) This was an automatic favorite, a comfort movie I can see watching over and over.

Tuesday, August 21, 2018

Afternoon Tea (8/21/18)

This is fascinating and I will definitely watch the movie that I'm sure is already in the works: Saving Lives With Tech Amid Syria’s Endless Civil War

The Greatest Upset in Quiz Show History

7 Spots in Singapore Every 'Crazy Rich Asians' Fan Needs to See

Crime [Fiction] in Closed Societies

Every time I watch a documentary I think "I should see more documentaries," so this looks useful: 18 New Documentaries to See in 2018

Weekly Rec: The Guernsey Literary and Potato Peel Pie Society

I should start this by saying: Yes, I read the book. But I read it years ago, not long after it came out, which is really the best way to do the book/movie thing, I think: I remembered enough to know I liked it but not enough to get upset about any changes in adaptation.

The Guernsey Literary and Potato Peel Society, now streaming on Netflix in the U.S., is the story of a British writer just after WWII who starts corresponding by chance with a man on Guernsey and travels there with the intention of writing an article about the book club the Guernsey residents started while their island was occupied by the Nazis. It's a love story and a friendship story, a writing story, a story about war and community and secrets, about feminism and fulfillment and self-determination and creating family.

And in almost all ways, this adaptation was just delightful. The cast was great - yes, about half of it you've seen on Downton Abbey - with Lily James doing a good job in the lead and Matthew Goode (of course) particularly notable as her editor/longtime best friend. The score was beautiful, the scenery and cinematography gorgeous. And it all just worked together wonderfully; I watched this together long-distance with a friend, texting back and forth, and much of our obviously very erudite commentary was along the lines of "I JUST LOVE THIS SO MUCH???" It's that kind of movie. Give yourself a treat this weekend and take a few hours out of your life and watch it with a friend.

Okay:

There were two things that disappointed me, but they're both a bit spoilery, so this is your warning! Stop reading here if you don't want to know plot details!

1. There's a romance involving an occupying German soldier, and yes, I know that happened in real life, but I'd really rather we center stories that are NOT "hey look, a good Nazi," especially given, you know, everything.

2. In the book, a gay character has a partner, but that's taken away and he's single in the movie.

Weekly Rec: The Bletchley Circle: San Franciso

I'm here to recommend the new Bletchley Circle spinoff, but it occurs to me that I should point out that if you haven't seen the original The Bletchley Circle, you should rectify that immediately. It's about Bletchley Park codebreakers who are pushed back into traditionally female roles in post-war British society; bored and frustrated with this, they start . . . solving murders with the skills they honed during the War! It's DELIGHTFUL.

The Bletchley Circle: San Francisco is BritBox's first original show; as always with a spinoff of something I really like, I was a bit wary of what they'd do, but so far I'm really liking it. Two of the women from the original series travel to late-1950s San Francisco when they read about murders there they think are linked to the wartime murder of a girl they knew at Bletchley. There they meet up with some of their American counterparts and continue solving crimes.

The spinoff has all the charms of the original as well as frank explorations of race and class and gender issues of the late fifties. The new American characters include a black woman whose family is fighting gentrification, a Japanese-American woman who talks openly about how she needs to work twice as hard and behave twice as correctly to keep her job, and a female engineer who has left a rural area for the city and is great at her work but has trouble with social cues. So far, at least, it's doing a better job with the time period than most American shows manage.

There are two episodes streaming so far with a new one premiering each Wednesday! Go watch!

Thursday, August 2, 2018

Weekly Rec: Moulin Rouge

Last weekend I went to see Moulin Rouge in its new stage musical form in Boston, and WOW. It was VERY GOOD. I've only seen the movie once, so I wasn't a huge fan going in, but I loved it anyway. The whole cast was great, and stars Karen Olivo and Aaron Tveit completely blew me away. The show kept most of what I liked from the movie and added roughly 3000 additional songs. No, really. Every song is now in this. Particularly delightful were the additions to "Elephant Love Medley" and the new "Bad Romance" sequence. This show is an amazing spectacle - the sets and the costumes are breathtaking, and there are so many of both. But it's also very solid, and the dancing, especially, is truly impressive. And the story is a tragedy, of course, but this version is also extremely funny, and that's a combination that works very well for it.

Of course, this is a pre-Broadway tryout run, and there are some tweaks that are clearly still needed: the pacing feels a bit off in the second act and Satine needs to be sicker earlier. Much as I love Florence, the "Shake It Out" number just doesn't work here. And there's a trans woman character played by a cis man (so far as I've been able to find out) and I really hope they change that.

It's playing through August 19th, so if you're in the Boston area, get on that! Otherwise, watch for it when it makes its way to Broadway.