Showing posts with label Blue Bloods. Show all posts
Showing posts with label Blue Bloods. Show all posts

Saturday, October 20, 2012

What I Watched: Haven, Blue Bloods, Elementary

Haven, "Double Jeopardy (EP305)" - Oh, Nathan. Nathan Nathan Nathan. I completely understand why he's doing what he's doing, and yet it's killing me at the same time. I absolutely do not trust Jordan, but their dynamic is undeniably fascinating. And I liked Duke better this week than I had in quite a while. And with Audrey - again, I understand why she's doing what she's doing, but ARGH. I thought the Trouble of the week this week was particularly good, and creepier than usual.

Blue Bloods, "Scorched Earth (EP304)" - Hey, they remembered Jamie exists! Awesome! I like this kind of plot for him - normal issues that a new cop would have to confront, but heightened because of the microscope he knows he's under. I also like when one case ends up linking the whole family like this, though at the same time, if they did that every week it would be completely unbelievable. And Frank Reagan and Kate Beckett should team up with their "get out of my city" speeches. That was awesome.

Elementary, "Child Predator (EP103)" - I keep liking this show more and more, and not just because they keep having Jonny Lee Miller be shirtless for no apparent reason. They developing dynamic between Holmes and Watson is done very well, and I like the way they make it clear that Holmes's skills are extraordinary without being gimmicky about the presentation. At the beginning of this episode, I thought I saw where the case was going, but I was wrong AND the actual solution was better than what I expected, which is basically the best thing for a case of the week to do.

Saturday, October 13, 2012

What I Watched: Fringe, Haven, Blue Bloods, & More

Fringe, "The Recordist (EP503)" - I know a lot of people were disappointed in this episode, but I really liked it, even though it was different and much quieter than we're used to. I loved the chance to see a little glimpse of how all of the huge changes in the world affected normal people who were living very different lives than our heroes. And I thought a lot of the family-related scenes were very powerful - both the Bishop family and the recordist family. The big scene between Peter and Olivia was wonderful and heartbreaking, and I'm so glad Peter articulated that he wants a second chance. (Though what the heck is up with Olivia's memory?) And they both had some great moments with Etta - Peter automatically checking her for the skin condition in a very natural dad-like way, and Etta and Olivia quietly holding hands. But I am so afraid that the father saying goodbye to his son and sacrificing himself will turn out to be foreshadowing.

Haven, "Over My Head (EP304)" - I liked this episode much more than the last one, I think. I love how Nathan isn't bothering to hide how hurt he is and is basically just being hostile to Duke and cold to Audrey, though of course he's always there when she actually needs him. And boy, is Lucas Bryant a good glarer. I'm very interested in this semi-secret society he's trying to join/infiltrate, and I may have yelled "Nooooo!" at my TV when he realized he was the only person Jordan could touch, but that was a really compelling, magnetic scene and they have good chemistry. I'm torn, because obviously I think Nathan and Audrey are meant to be, but Nathan can hardly be faulted for considering his options given that Audrey is trying so hard to push him away.

Blue Bloods, "Old Wounds (EP303)" - No, seriously, WHERE IS WILL ESTES? I think he had all of two very short lines last night. I wasn't necessarily wild about his plot last season, but at least he had one. I hope the lack of him in the first few episodes of the season means there's a Jamie-intensive plot coming up soon. Other than that, I liked this episode; it was full of Lessons but that's basically this show's thing so I don't mind. Tom Selleck and Len Cariou imparting life lessons is a pretty decent way to start the weekend, really. I did roll my eyes at Danny taking so long to consider the rape victim's brother as a suspect in the murder of the rapists, since IN THE SAME BREATH he was offering to beat up someone who hurt his sister.

The Good Wife, "And the Law Won (EP402)" - UGH. This Kalinda story. Why do her stories have to revolve around sex? Why is she suddenly incapable of remembering to do her job when her husband comes to town? Other than that, though, I liked this episode; I'm glad Will's back and I always like it when Alicia has to confront the fact that everyone knows Diane and Will don't really see her like the other associates, as much as everyone claims there's no special treatment. The way the dynamic between Alicia and Peter is developing this season is fascinating. And hey, Gilmore Girls actors together in court! That was exciting. Too bad Cary wasn't there too.

The Mentalist, "Devil's Cherry (EP502)" - These hallucination sorts of episodes are usually not my favorite, but I thought this one was done pretty well. And by all means, Jane, please listen to your imaginary daughter and MOVE ON. I did like that drugged Jane insisted that Lisbon was the only person who really knew him, and hey, that plot left them with no time to spend on Rigsby's and Cho's ridiculous, out-of-character personal crises, so hey! The case was fine but the villain seemed a bit cartoonishly evil and eager to confess.

Monday, October 8, 2012

Watch I Watched: Fringe, Homeland & More

I wound up having a busier-than-expected weekend with no time to post, so hey, here's everything from Friday through Sunday . . .

Fringe, "In Absentia (EP502)" - SIMON. Sob. I'm still loving the way the Bishops are finding their way and getting to know each other again as a reunited family - and doing really well at working together - even though it's heartbreaking at times. I thought the interplay between Olivia and Etta on the torture issue was quite well done. But SIMON.

Haven, "The Farmer (EP303)" - SPEAKING OF HEARTBREAKING. I'm less annoyed with Audrey now that I know her reasons for pushing Nathan away, BUT STILL. DON'T DO THAT. STOP IT RIGHT NOW, YOUNG LADY. I'm glad she's talking to Claire, and the case of the week was interesting, and overall I liked this better than the second episode.

Call the Midwife, Episodes 1 & 2 - I finally had the chance to catch up on this, and I'm loving it. Babies! Historical setting! Constant reminders of how awesome the NHS is! And new character Chummy (starting in the second episode) definitely adds a lot.

Homeland, "Beirut Is Back (EP202)" - This was another fascinating, intense episode, but I too was concerned by the plausibility issues that Willa Paskin outlines. But we'll have to see how the payoff is. Saul and Carrie's relationship remains my favorite part of the show.

Vegas, "Money Plays (EP102)" - I'm continuing to enjoy this, but find myself with oddly little to say about it. It's good! I think! It's just not leaving much of an impression so far.

Bomb Girls, "Bringing Up Bombshell (EP104)" - I like the way this show is getting progressively more serious with the issues in the women's lives (in addition to the obviously serious war-related plots) but retaining the focus on their friendships and goals. I just realized there are only two episodes left this season and now I'm sad. The propaganda issues this week were explored well, and for some reason I'm kind of rooting for Gladys and James to make it.

Made in Jersey, "Cacti (EP102)" - I still kind of like this? I KNOW. I'm not saying it's brilliant or ground-breaking, but it would make nice comfort TV if it stuck around. Which it won't. I mean, Fringe beat it in the demo, for goodness' sake.

Blue Bloods, "Domestic Disturbance (EP302)" - This episode, with its really interesting case and high-pressure family stuff involving Linda going back to work, was actually better than the premiere, I think. But NOT ENOUGH WILL ESTES. I mean, never enough, but he was particularly lacking here, was he not?

Monday, October 1, 2012

What I Watched: Made in Jersey & Blue Bloods Premieres & More

I didn't have time to post this yesterday, so hey, let's combine Saturday and Sunday!

Made in Jersey, "Pilot (EP101)" - Meh. It wasn't good, but I didn't hate it, and I liked the family stuff, so I'll probably hang in until they cancel it in a few weeks anyway. You can read what I said about it at TheTelevixen here.

Blue Bloods, "Family Business (EP301)" - I thought this was fine, but - presumably because it was a premiere - there was more action stuff and less character stuff than in most episodes, and I didn't think it was an improvement. There wasn't enough family interaction for me. Also, I didn't think the tension was as tense as they'd intended, since we knew Danny wouldn't actually die. It would have been better if they'd left Jackie as the hostage throughout, as they could kill her off. But regardless, I'm very glad the show is back.

Grimm, "The Good Shepherd (EP205)" - This was a really solid episode. I loved finding out more about the Wesen social institutions, and I'm always delighted when Jonathan Scarfe turns up. Monroe going undercover was tons of fun, though I missed Rosalee. And I'm intrigued to see how the Juliette situation is resolved. (And hey, I was thinking "they should have a glossary of the Wesen terms," and they do!)

I spent much of Sunday trying to catch up on Homeland for the premiere, and I didn't quite make it - I still have to watch last season's finale. But wow. Yes, this show is as good as everyone says it is, and I only regret I didn't watch it sooner.

Monday, May 14, 2012

What I Watched: Veep, Blue Bloods Finale, & More

Live-ish: Veep, "Chung (EP104)" - I know this show isn't particularly realistic, but I'm still really enjoying it anyway. And I did like the cynicism of this episode: when it finally got into real issues (like immigration), I thought it was clever to avoid having Selina really take sides that would potentially alienate viewers by going all the way through that issue and having her take sides for purely political reasons, rather than having her avoid espousing positions at all. Jonah is still my favorite. "You're not even your mom's favorite Jonah, Jonah!"

Live+7: Common Law, "Pilot (EP101)" - I saw a screener of this several weeks ago, so I watched the finished version of the pilot last night to refresh my memory. I'm not sure it will ever attain the level of my favorite USA shows like Burn Notice and White Collar, but it seems like it will be solid fun, and I already like it better than Suits or Necessary Roughness. (Over at TheTelevixen.com, read my feature with star Michael Ealy and our 10 reasons to watch.)

The Mentalist, "Red Rover, Red Rover (EP423)" - I usually count on this show for some mindless procedural fun, so it's always disconcerting when it goes creepy and serious as it did in this episode. That said, it was really well done, and a good reminder that Simon Baker can be more than just a pretty smirk when they actually give him something to work with. I'm still not thrilled with what they've done this season in general, but this episode definitely got me interested in seeing where they go with the finale. Oh, and I also liked the way it illustrated how Lisbon actually cares about Jane, and how that may get her in big trouble eventually.

Blue Bloods, "Mother's Day (EP222)" - This was the season finale, and gosh, I'll miss the Reagans until they come back in the fall. The "terrorist plot against the city" storylines never have all that much tension (on this show or others) because we know the good guys will actually save the day, so I liked the way they added tension with Frank's thoughts of resigning - I didn't believe they'd destroy New York, but I believed they might have him quit. I also really liked the stuff between Danny and Jamie, and I've been impressed by the way they weave in the family's grief and unresolved feelings about the mother and Joe without belaboring it or making them seem overly fixated.

On the list: Sherlock, The Borgias, The Killing, Game of Thrones, Girls